Wednesday, March 12, 2014





Paul Kaptein Questions Notions Of Substance, Emptiness And Temporality With His Wooden Sculptures

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Australian sculptor, Paul Kaptein creates unusual but skillful wooden sculptures that question our ability to look past missing pieces in the bigger picture. Kaptein, interested in the Buddhist term sunyata (Sanskrit word for ideas of emptiness as a way to achieve wholeness), integrates (and questions) notions of substance, emptiness, and temporality into his highly skilled pieces of wooden work.
By seamlessly incorporating empty gaps (usually long empty rectangles) into busts and entire recreations of human bodies, Kaptein imposes the viewer with questions as to why these pieces are missing. The simple fact that viewers will directly and promptly question this characteristic first, further enables Kaptein’s interest in challenging the viewer’s resistance, and/or apprehension to accept something that is not complete. The main idea  here relies on getting the spectator to react to Kaptein’s work for what it is: seamless, beautiful wooden sculptures that happen to be missing a piece or two.
It can also be said that these gaps are indicative of conceptions of time:
I’m exploring the notion of the now as a remix of past and future potentialities. This facilitates a renegotiation of perceptual truths resulting in an expression of things not quite truth, yet not quite fiction.

Brad Spencer Uses Bricks For More Than Building

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Brad Spencer doesn’t just build things out of bricks, he also sculpts them into existence. Much of his work is large-scale and features human figures or elements that appear to emerge naturally and seamlessly from this solid medium. Bricks are normally used architecturally to build structures with 90 degree angles. Spencer challenges this conception by creating fluid shapes from this recognizable form. He uses a relief technique – starting with unfired clay, he sculpts the walls and figures into a brickwork pattern. He then fires the pieces separately, and assembles the entire piece on the day it’s set to display. Spencer says,
“Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment.
Projects may include bas (low) relief, high relief, full dimension free standing and often a combination. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.” (via my modern met)

Street Art Utopia’s Best of 2011










I couldn’t help but direct everyone to fellow public art loving blog Street Art Utopia as they have compiled a pretty decent list of the best street art of 2011. If you are just getting into the wonderful world of pasting, spraying or making the streets a more creative place, this list is a great place to start (short of  Wall and Piece). One of the best things about this genre is it’s diversity – you can decided what you find gimmicky/twee or meaningful and awe-inspiring. Street art has always been the public’s voice, and the art world has yielded success to those with great ideas and a call for change. More from the list after the jump!










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'My Little Pony Friendship Is Magic': Watch out, Apple Bloom!







'Dallas' recap: Playing Chicken

It's Emma's pool party, and she'll clomp around in chunky shoes if she wants to!
Ep. 03 | Aired Mar 10, 2014


Between the Lesser Prairie Chicken defense, Emma's over-the-top pool lounging, and the facial expression Judith Ryland makes when a drink has bite, this was another delightfully sudsy episode. Lather up.
We opened with Bobby and Ann being driven back to their abandoned car. The walk to their vehicle was an excuse for us to admire how good Brenda Strong looks in tight pants and boots. Once seated inside, Ann wondered if it was safe for Emma to ride alone on Southfork. Bobby said he'd beef up security and vowed that both Emma and Ann would always be safe there. (Famous last words? 

At home, John Ross was murdering some pancakes, which he conveniently eats sans syrup and avec whipped cream. He was spraying some of the latter on Pamela's cleavage and licking it off when Emma came passing through the kitchen on her way to the pool. When Pamela turned her back again, Emma flashed John Ross a look at her hot red cutout swimsuit from beneath her more modest coverup. Sue Ellen, it turns out, was lurking nearby and presumably saw the full show. Cue the opening credits!
Bobby and a cowboy named Nate had just finished riding Southfork's perimeter to make sure it was secure -- Bobby wants more muscle at the gates and all ranch hands to ride armed -- when Nate got the call that there was a disturbance. John Ross's plans to frack haven't gone over well. There had been vandalism with fun phrases like, "Drill this," "Greedy pricks," and the obvious winner, "Go Frack Yourself." Bobby and Nate rode up and found John Ross in a fistfight with Bo. Bobby made Nate hold up on playing referee for a minute so John Ross would learn his lesson -- ha! -- then Bobby separated the boys. He assured the hands he'd stop John Ross just like he'd stopped J.R., and he told John Ross this is what you get when you threaten to take away a man's livelihood.
Back at the house, Sue Ellen was distracted doing the seating chart for John Ross and Pamela's reception, so she told Ann her concerns about Emma and John Ross. Since Sue Ellen was right about Emma's drug use, Ann handled it rather well. Slightly more confrontational: Christopher's sitdown with Cliff Barnes in his Mexican prison. There was a lot of talking when really, I just wanted to enjoy Christopher's beard again. Oh, and the way his sunglasses stayed perfectly positioned on his shirt even when he got angry. Christopher left the jail, and a little kid snagged his wallet. I assumed Nicolas was behind that. I was wrong.
Nicolas, meanwhile, was busy offering Rhonda $25,000 if she were to come forward and tell the truth that the Ewings bribed her to implicate Cliff Barnes in J.R.'s murder. Her bank account shows that she deposited $20,000 right after she moved back to the States. He told her to accept good luck when it comes around because it likely won't be back, and then he gave her his card to call him when she's ready (assuming it's before the end of the next day because this show moves quickly).
Ann caught Emma suggestively caressing her legs by the pool as John Ross walked by. She asked Emma to dress more conservatively around him. She also suggested she maybe stick close to home. But Emma is 22 and no one controls her, she snapped. That's right -- if she wants to walk around the pool in chunky shoes, we must let her. And if she wants to get herself killed sometime later this season, we must accept that. Fuming from being scolded, Emma happily accepted Pamela's offer to go help her shop for her honeymoon.


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